Spring 2015
BEHIND THE NUMBERS
Matthew Kennedy explains the growing appeal of the mid-century Swedish textile artist Barbro Nilsson
FORM AND FUNCTION
Notes from the worlds of architecture and design and visits to an array of museum exhibitions that cover art, architecture, jewelry, photography, and more
THE MARKET
Beth Dunlop examines some of the success stories of designers spotted early in their careers at Milan’s Salone Satellite
GRADING SYSTEM
Troy Seidman looks at (and evaluates) four pieces from the oeuvre of Shiro Kuramata
DESIGN DESTINATION
As Robert Atkins tells us, the expanded Palm Springs Art Museum and its new Architecture and Design Center are worth the visit
HISTORY LESSON
Evan Lobel relates the story of mid-century Venetian Italian glassmaker Anzolo Fuga, who left his mark with remarkable vases and noteworthy stained-glass windows
POINT OF VIEW
Al Eiber discusses the importance of the late California sculptor and jewelry designer Claire Falkenstein
GALLERY WALK
Brook S. Mason describes the emerging design scene in two Middle Eastern cities, Beirut and Dubai
BOOKSHELF
Danielle Devine reviews current design books
FIRST PERSON
Benjamin Krevolin’s father designed one of Russel Wright’s most important dinnerware pieces
CURATOR’S EYE
Museum directors discuss favorite pieces under their care
PARTING SHOT
The architectural historian Vincent Scully discusses memorable National Assembly Building of Bangladesh
THE SOUL OF NAKASHIMA
A look at this great master furniture designer with fresh eyes
ROBERT AIBEL
FOR THE LOVE OF PLYWOOD: A STUDIED METAMORPHOSIS
The multifaceted Doug Meyer reflects on his top-to-bottom renovation of the Palos Verdes Art Center
DOUG MEYER
FROZEN MUSIC
The photographer Hélène Binet brings depth and complexity into her dramatic images of some of the world’s most important architecture
BETH DUNLOP
PAUL RAND: GRAPHIC IMPACT
The Museum of the City of New York’s exhibition on Paul Rand tells us “Everything is Design,” which sums up his philosophy
STEVEN HELLER
MODERN JAPANESE TEA BOWLS
The work of two contemporary Japanese ceramists offers new insights into a form that is central to Japanese culture
FRANCES BRENT